Gathered along the way


Things I have found informative or interesting during my study of slow glass as curatorial practice. If you have anything of interest you would like to share, please do! slowglasspublication@gmail.com




  • Anna Tsing, The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins, p.21


  • Aliette de Bodard, Preface in We See a Different Frontier: A Postcolonial speculative Fiction Anthology, ed. Fabio Fernandes and Djibril al-Ayad, p.6


  • Sophia Al-Maria, Gulf Futurisms in Sad Sack


  • Ursula Le Guin, Introduction in The Left Hand of Darkness, p.13






  • Ursula Le Guin, The Carrier Bag Theory of Fiction (London: Ignota, 2019), p.36


  • Ursula Le Guin, The Carrier Bag Theory of Fiction (London: Ignota, 2019), p.36




  • Elizabeth C Hamilton, 'Afrofuturism and the Technologies of Survival' in Science Fiction, Documents of Contemporary Art, ed Dan Byrne Smith, (Cambridge MA, London: Whitechapel Gallery, MIT Press, 2020), p. 105


  • Dan Byrne-Smith, 'Introduction' in Science Fiction, Documents of Contemporary Art, ed Dan Byrne Smith, (Cambridge MA, London: Whitechapel Gallery, MIT Press, 2020), p.12


  • Listen: Dundee Contemporary Arts, Eoin Dara reading an excerpt from Ursula Le Guin's The Carrier Bag Theory of Fiction
SLOW GLASS AS CURATORIAL PRACTICE
  • I. RE-FRAMING SCIENCE-FICTION
    • 1.1 On Re-framing1.2 Critiquing macho science-fiction1.3 Annotations- Slow Glass1.4 Feminist Strategies1.5 Resources
  • II. EXPERIMENTS: FIELD NOTES
    • 2.1 Permeating disciplines2.2 Refraction 2.3 Diffraction
  • III. ENTANGLING
    • 3.1 Shifting Temporalities3.2 Re-turning3.3 Intra-acting 3.4 Resources
  • IV. FURTHER READING
    • 4.1 Glossary4.2 Research fragments